The production company’s new EWTN+ series turns a family’s European travels into a child-led blend of food, history, faith and experiential learning.
Little Fiat Studios has released Fork in the Road, a family travel and cooking series in which Jessica Rey and her children lead viewers across Europe through food, history and faith. The eight-episode first season is streaming in full on EWTN+, with the children serving as on-camera hosts rather than appearing only as supporting participants. The announcement positions the series as a focused alternative to family viewing that combines travel experiences with conversations and practical learning.
Rey is best known for playing the White Ranger in Power Rangers Wild Force, but the programme centres on her role as a mother, executive producer and homeschooling parent. The family travels through destinations including Croatia, Italy, Portugal and Austria, using local dishes and cultural sites as entry points into each episode’s story. The format reflects a narrow but recognisable shift in family programming: travel is presented not simply as sightseeing, but as an educational activity led by children.
Each episode pairs a destination with a recipe and a related historical, cultural or religious subject. The release describes visits with chefs, winemakers, historians and monks, alongside activities such as making tortellini in Bologna and visiting the Swiss Guard barracks at the Vatican. Season one is available free on EWTN+ across iOS, Android, Roku, Apple TV and Amazon Fire TV, as well as through ewtn.com, and is described as suitable for all ages.
The series also illustrates how smaller production companies can build a broader proposition around a single screen project. Little Fiat Studios describes itself as an independent production company specialising in family travel and lifestyle content, with Fork in the Road as its flagship production. Its distribution through EWTN+ places the programme within the EWTN Global Catholic Network’s streaming offering, while keeping the editorial focus on the Rey family’s own travel and homeschooling experience.
For viewers, the practical appeal lies in the combination of a family itinerary, accessible cooking and child-led reporting rather than in a conventional studio format. For Little Fiat Studios, the release establishes Fork in the Road as both a finished streaming series and the centre of a wider family-travel identity. The result is a modest but clear example of programming designed to make education, culture and shared viewing occupy the same space.
